Dancehall Vibes Vol.1 est le premier volet de cette nouvelle collection avec 30 kits de construction dancehall originaux (95-119 Bpm) ! Inspiré par les plus grosses productions (Sean Paul, Beenie Man, Elefant Man, Mr. Vegas, Cecile, Nina Sky etc.) !
Vous trouverez du gros son de batterie avec ce qu'il faut de caisses claires et de claps, des superbes sons de claviers, des effets spéciaux, des basses, des percussions, des synthés, des cuivres, des cordes, des instruments ethniques,des guitares groovy et des scratches exclusifs. Tout ce beau monde en format kit de contruction.
Dancehall Vibes Vol1 contient tout ce qu'il vous faut pour produire pro !
Future Musik UK 7/2007Remix 7/2007This is a great DVD. Not only are the sounds top quality, theyre in every format you might need (acidized/wave, Rex2, NN-XT, soundfont, Halion and even one
shots of every loop on the DVD) Crisp claps, bangin' beats and vinyl scratches had me playing around with this for hours. Perfect use for everything from
House to traditional Dancehall style. Great variation, a lot of fun and serious
usability.
Review:
Dancehall Vibes Vol.1
Future Music, UK, Sept 2007This is a great DVD. Not only are the sounds top quality, theyre in every format you might need (acidized/wave, Rex2, NN-XT, soundfont, Halion and even one
shots of every loop on the DVD) Crisp claps, bangin' beats and vinyl scratches had me playing around with this for hours. Perfect use for everything from
House to traditional Dancehall style. Great variation, a lot of fun and serious
usability.
HOT AS JERK, SMOOTH AS RUM
In the midst of receiving literally hundreds of hip-hop libraries covering styles from coast to coast to coast, one can easily get bored with all the ‘sameness’.So,
taking a virtual plane ride to the Caribbean via 30 of the hottest Jamaican dancehall construction kits (95-119 bpm) was just the break I’d been looking
for. Inspired by the sounds of along the lines of Shaggy, Sean Paul, Beenie Man, Elefant Man, Mr. Vegas, Nina Sky and others, the 2.2 GB of kits are supplied on
DVD in both REX2 and Acidized-WAV format.A folder of single hits is provided for each construction kit, allowing you to augment a groove or build one from
scratch; mapped drum kits made from these sounds are also provided in NN-XT, Halion and Soundfont patch formats.
Construction loops are four to eight – sometimes sixteen – bars long, and include minor variations along the way that are generally excellent for mapping out
verses, choruses and bridges.Melodic instrumentation is kept fairly minimal; In fact, bass lines are rarely provided, instead leaving the club-heavy grooves to
build around the kick and low-end percussion.But, when melodic phrases are provided, they’re both sonically and musically very inspiring.I love the jangly
acoustic and groovy electric guitars, towing the line between early reggae and, at times, more refreshing Brit or SoCal ska.Real, ethnic/world
instruments, horns and strings are played with truly impressive chops, and there are even loops of club-synths, DJ scratches and very cool effect drops, all time-sequenced
and ready to roll.Provided in both full and grouped stems for mixing, the drum parts are absolutely bangin’, many with stompin’ club-oriented hip-hop beats
featuring monster kicks and crackin’ snares and claps, while others sport a more intricate
‘sweet-and-spicy’ rhythmic identity.The makings of summertime
hits!
Review:
Dancehall Vibes Vol.1
„REMIX“ US July 2007
HOT AS JERK, SMOOTH AS RUM
In the midst of receiving literally hundreds of hip-hop libraries covering styles from coast to coast to coast, one can easily get bored with all the ‘sameness’. So,
taking a virtual plane ride to the Caribbean via 30 of the hottest Jamaican dancehall construction kits (95-119 bpm) was just the break I’d been looking
for. Inspired by the sounds of along the lines of Shaggy, Sean Paul, Beenie Man, Elefant Man, Mr. Vegas, Nina Sky and others, the 2.2 GB of kits are supplied on
DVD in both REX2 and Acidized-WAV format. A folder of single hits is provided for each construction kit, allowing you to augment a groove or build one from
scratch; mapped drum kits made from these sounds are also provided in NN-XT, Halion and Soundfont patch formats.
Construction loops are four to eight – sometimes sixteen – bars long, and include minor variations along the way that are generally excellent for mapping out
verses, choruses and bridges. Melodic instrumentation is kept fairly minimal; In fact, bass lines are rarely provided, instead leaving the club-heavy grooves to
build around the kick and low-end percussion. But, when melodic phrases are provided, they’re both sonically and musically very inspiring. I love the jangly
acoustic and groovy electric guitars, towing the line between early reggae and, at times, more refreshing Brit or SoCal ska. Real, ethnic/world
instruments, horns and strings are played with truly impressive chops, and there are even loops of club-synths, DJ scratches and very cool effect drops, all time-sequenced
and ready to roll. Provided in both full and grouped stems for mixing, the drum parts are absolutely bangin’, many with stompin’ club-oriented hip-hop beats
featuring monster kicks and crackin’ snares and claps, while others sport a more intricate
‘sweet-and-spicy’ rhythmic identity. The makings of summertime
hits!
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