True Strike 1 Orchestral Percussion
Project SAM - Introductiedatum:28.01.2010
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2-3 weken
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Additional downloads at www.soundsondemand.com
German Celesta
Invented over 125 years ago, the celesta remains a nicely obscure yet fascinating instrument: It sports a vibrant, mellow and charming sound remeniscent of a vibraphone, glockenspiel, marimba and a piano – yet a sound of its own.
Edition Beurmann - French Harpsichord
The French Harpsichord library features a double-manual instrument by renowned French builder Nicolas Pigalle. The instrument – built in Dijon in 1771 – features an “enchanting sound with singing clarity and a substantial bass”, as Professor Beur-mann explains. These qualities - along with its huge tone which also manages to bring out its deli-cate, sophisticated finesse and detail – make it is an excellent representation of the French style. “It is one of only two surviving harpsichords from Dijon, a city once so rich in musical tradition, the other also being by Pigalle.”, he continues.
Edition Beurmann - Italian Harpsichord II
The Italian Harpsichord II library features an instrument built around 1590 by an anonymous maker. Being very typical for the Italian style, the instrument features a housing seperated from the painted cabinet. Furthermore, the instrument - which had been owned by the Australian opera singer Joan Sutherland - sports a special feature: The housing is not bearing directly on the cabinet, but on two ledges below the ribs. This allows for the under-body to resonate.
Edition Beurmann - English Spinet II
The English Spinet II library features an instrument built by Benjamin Slade in London around 1705. Slade´s spinets were essential to the history of the instrument. He had apprentices such as Thomas Hitchcock (see English Spinet library). The sampled instrument shows the qualities for which Slade is known, offering a very sweet-sounding yet majestic and brilliant tone. Only one spinet and one harpsichord of his instruments has survived.
True Strike 1 Orchestral Percussion
This new, re-released version of TRUE STRIKE has been completely re-designed for the Kontakt format and comes with Native Instruments Kontakt Player 3.5. New features include a re-structured instrument list, a streamlined audio pool and a custom interface with on-screen ADSR control, instrument information and other options. Van de makers van de Project Sam Brass Series - Sam Horns, Trombones, Trumpets en Solo Sessions – is hier de eerste verzameling in een nieuwe serie: Sam True Strike, orkestrale percussie samples. Nu ook beschikbaar als een Virtual Instrument, gebaseerd op Steinberg’s HALion technologie. Deze set omvat 51 tot in de puntjes gesamplede percussie instrumenten, met kleine en grote percussie instrumenten, vijf melodieuze percussie instrumenten en bovendien een groot aantal niet-klassieke ‘crossover’ sounds.
True Strike 2 World & Effects Percussion
True Strike is de kenmerkende percussieserie van ProjectSAM. Een onuitputtelijke bron percussie-instrumenten voor film, tv, game en media componisten. True Strike 2 “Cinematic World and Effects Percussion" is de tweede in een serie, met een krachtige set etnische instrumenten en een groot bereik aan percussie-effecten in het assortiment, zoals ‘bowed cymbals’ en knallende sounds, perfect voor bijvoorbeeld een spannende trailer. The libraryWith True Strike 2, ProjectSAM covers new percussion ground. Aimed at film, tv and game music, this library covers all to build your percussive action cue, ground-shaking chase sequence, suspenseful horror scene or out-of-this-world fantasy track. Japanese, African and Tur
Edition Beurmann - German Lautenwerck
The German Lautenwerck library brings a long-gone instrument into your sampler: The Lautenwerck - or Lute-Harpsichord - was one of Johann Sebastian Bach´s favourite instruments. Despite 50 Lautenwerck builders in Germany, not a single instrument survived throughout the centuries. When the instruments had vanished, the awareness had gone as well: Only a couple of decades ago, musicologists found out that such an instrument had existed, solving the mystery of scores mentioning being written for Lautenwercke. Until then, one would have guessed that the composer meant a regular lute instrument by that notion. When the knowledge of it had resurfaced, Professor Beurmann had a reconstruction built by Ludwig Richter in Ludwigsburg, Germany.Instrumenten
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