Chris Hein Guitars

Alle Einzelinstrumente der Library sind als Download auf SoundsOnDemand erhältlich

Mit einem neuen einzigartigen Bedienkonzept geht Chris Hein - Guitars weit über die Möglichkeiten samplebasierender Instrumente hinaus. Chord-Mode, Slide-Modes, Solo-Mode sind nur einige der unzähligen Features, die Dank der extra angefertigten Scripte im Kontakt-Player die Simulation realistischer Gitarren zum Kinderspiel werden lassen.
Im Paket sind 7 verschiedene Gitarren enthalten: Electric Guitar-Clean, Jazz Guitar, Plectrum und Finger Picked , Nylon Guitar, Steel Guitar, Mandoline und Banjo.

Mit insgesamt 40.000 Samples und 10 GB Daten ist Chris Hein Guitars eine der derzeit umfangreichsten Gitarren-Librarys und verdient mit Recht die Bezeichnung „Ultra Realistic Virtual Instrument“!
Pro Instrument stehen ca.3000-6000 Samples mit bis zu 59 Artikulationen und bis zu 13 Velocity-Stufen, sowie verschiedene Attack- & Release Controls zu Verfügung.
98 intelligente Midicontroller, Reverb, Delay, Chorus, Flanger, Phaser Kompressor, EQ sowie umfangreiche Control Modis lassen jetzt endlich die virtuelle Gitarre Wirklichkeit werden! 

Main Features:

• Kontakt Player enthalten
• 40000 Samples, 10GB
• 3.000 - 6.000 Samples pro Instrument
• über 30 Spielweisen in einem Instrument
• bis zu 13 Velocity-Stufen
• 70 intelligente Midicontroller

Controls & Scripts:

• Chord Mode,
• verschiedene Slide Modes,
• Solo Mode (hammer on/pull off)
• Harmonizer
• Electric/Aacoustic blending
• verschiedene Release-Controls,
• verschiedene Attack -Controls,
• Fall Control,
• Rattle Control,
• Automatischer Up- und Downstroke,
• Bridge- und Center playing
• Reverb, Chorus, Delay, Flanger, Phaser, Filter enthalten

Instruments:

• E-Guitar Clean
• Jazz Guitar Plectrum
• Jazz Guitar Finger
• Steel Guitar Plectrum
• Nylon Guitar Finger
• Banjo
• Mandolin

 

Video Demos

	Video: Controls
	Video: Articulations
	Video: Sound-Varieties
	Video: Chord Mode 1
	Video: Chord Mode 2
	Video: Chord Mode 3
	Video: Modes
	Video: Chord Mode 4

Mehr Infos

User Interface

Systemanforderung

Dieses Produkt wird mit dem NI Kontakt Player 2 ausgeliefert!

Minimum:

• Windows XP/ Vista, Pentium 4/ Athlon, Single 2,8 GHz, Dual Core CPU mit mehr als 1.6 GHz pro Kern
• Mac OSX 10.4 oder höher, G5 1 GHz oder Intel Core Duo1.66, 1 GB Ram

Optimal:

• Windows XP/ Vista, Pentium 4/ Athlon, Quad Core CPU mit mehr als 1.8 GHz pro Kern
• Mac OSX 10.4 oder höher, alle Intel Macs G5, 2GB Ram

Ausreichend freien Platz auf der Festplatte - abhängig von der jeweiligen Library.

Sie können diese Library mit dem kostenlosen NI Kontakt Player 4 (oder höher) betreiben, der zu allen aktuellen Betriebssystemen auf Mac & PC kompatibel ist.

Download free Kontakt Player Windows (362MB)
Download free Kontakt Player Mac INTEL (458MB)

Support-Hinweis
Native Instruments bietet Registrierungs- und Aktivierungs-Support für KONTAKT PLAYER Produkte. Der technische Support wird von den Herstellern der jeweiligen Libraries übernommen.

 

System FAQs

Produkt Aktivierung:
Zur Autorisierung / Aktivierung des Produktes benötigen Sie eine Internet Verbindung auf einem beliebigen Computer (Challenge/Response)

Testberichte

KEYS 07/2008
Sound on Sound 4/2007

KEYS 07/2008

(Fazit) Chris Hein Guitars überzeugt mit exzellent bearbeiteten Samples und einer hervorragenden Klangqualität. Keyboarder können nach einer gewissen Einarbeitungszeit die neun Gitarrenmodelle extrem realistisch spielen. So werden Arrangements für Pop und Rock deutlich bereichert. Durch die Verbindung zu Guitar Rig nehmen die klanglichen Gestaltungsmöglichkeiten noch einmal zu. Hervorzuheben ist aber, daß Chris Hein Guitars, der realistischen Spielnachbildung geschuldet, deutlich aufwendiger als manches Konkurrenzprodukt ist. Das bedeutet für die Praxis, dass Arrangeure, die nur auf die Schnelle eine virtuelle Gitarre einfliegen lassen wollen, mit einem anderen Produkt im Stile von Steinbergs Virtual Guitarist besser beraten sind. Chris Hein ist das richtige Produkt für alle Tastenmusiker, die für Bühne und Studio eine realistische Gitarrennachbildung suchen.

+ Klangqualität
+ Artikulationsmöglichkeiten
+ Handbuch
- Längere Einarbeitungszeit
Testbericht : Chris Hein Guitars  Keys Ausgabe Juli 2008 (Fazit) Chris Hein Guitars überzeugt mit exzellent bearbeiteten Samples und einer hervorragenden Klangqualität. Keyboarder können nach einer gewissen Einarbeitungszeit die neun Gitarrenmodelle extrem realistisch spielen. So werden Arrangements für Pop und Rock deutlich bereichert. Durch die Verbindung zu Guitar Rig nehmen die klanglichen Gestaltungsmöglichkeiten noch einmal zu. Hervorzuheben ist aber, daß Chris Hein Guitars, der realistischen Spielnachbildung geschuldet, deutlich aufwendiger als manches Konkurrenzprodukt ist. Das bedeutet für die Praxis, dass Arrangeure, die nur auf die Schnelle eine virtuelle Gitarre einfliegen lassen wollen, mit einem anderen Produkt im Stile von Steinbergs Virtual Guitarist besser beraten sind. Chris Hein ist das richtige Produkt für alle Tastenmusiker, die für Bühne und Studio eine realistische Gitarrennachbildung suchen.

+ Klangqualität
+ Artikulationsmöglichkeiten
+ Handbuch
- Längere Einarbeitungszeit

Sound on Sound 4/2007

Another day, another guitar library, this time from prolific composer and all-round sample genius, Chris Hein. This 18GB collection covers nine instruments: nylon and steel, mandolin, banjo and then three electric guitars (clean, chorus and blues) alongside two jazz guitars (plectrum and finger). Arriving in Kontakt 2 format, it is bundled with a copy of the Kontakt 2 Player.

Continuing the current trend towards playability right out of the box, the actual number of patches is limited, but each one is filled to the
neck with keyswitches and automatable control parameters. There are, however, medium and light patches for each, with fewer velocity
layers, and others with only a limited number of articulations, in case you need to limit memory use.

I would use up most of this page if I were to list the switches (as many as 59 on some patches), but suffice to say all the usual suspects are present such as hammer-ons, pull-offs, falls, mutes, flageolet and so on. Over and above that there's a cunning slide mode, where you can create your own slides rather than being limited to pre-recorded ones. You can even then change the pace of the slide itself. The chord modes are another Godsend: you can play a chord and then either strum it, pick it or both, again with recourse to pull-offs and slides for added realism. Alternatively, the supplied MIDI patterns can control the rhythm, and you just insert your own chord choices. Whilst there are only a few patterns, they are a good base from which to kick off.

Interestingly, the library comes bundled with a demo version of Native Instruments' Guitar Rig plug-in — a clever addition from a marketing point of view, as I found some of the best results come from using this to process the standard library sounds. Guitar Rig is a worthy addition to your arsenal so, if you haven't already got it, be warned: using the demo tempts you mercilessly! A word should also be said about the manual: it's not only very well written, but supplied both as a PDF and hard copy, which is becoming a rarity these days.

So has CHG succeeded where so many libraries have gone before? As a one-stop library, a resounding yes — it gives you a little bit of
everything at your fingertips, all well recorded and with enough articulations to sink a battleship. Other libraries dedicated to only one or two instruments may have a small edge in terms of sound, but few have the accessible playability of CHG, nor its wealth of playing styles. That is not intended to damn it with faint praise, either — I would happily have it as my sole guitar library."

5 STARS
  Review: Chris Hein Guitars  Sound on Sound, April 2007 Another day, another guitar library, this time from prolific composer and all-round sample genius, Chris Hein. This 18GB collection covers nine instruments: nylon and steel, mandolin, banjo and then three electric guitars (clean, chorus and blues) alongside two jazz guitars (plectrum and finger). Arriving in Kontakt 2 format, it is bundled with a copy of the Kontakt 2 Player.

Continuing the current trend towards playability right out of the box, the actual number of patches is limited, but each one is filled to the
neck with keyswitches and automatable control parameters. There are, however, medium and light patches for each, with fewer velocity
layers, and others with only a limited number of articulations, in case you need to limit memory use.

I would use up most of this page if I were to list the switches (as many as 59 on some patches), but suffice to say all the usual suspects are present such as hammer-ons, pull-offs, falls, mutes, flageolet and so on. Over and above that there's a cunning slide mode, where you can create your own slides rather than being limited to pre-recorded ones. You can even then change the pace of the slide itself. The chord modes are another Godsend: you can play a chord and then either strum it, pick it or both, again with recourse to pull-offs and slides for added realism. Alternatively, the supplied MIDI patterns can control the rhythm, and you just insert your own chord choices. Whilst there are only a few patterns, they are a good base from which to kick off.

Interestingly, the library comes bundled with a demo version of Native Instruments' Guitar Rig plug-in — a clever addition from a marketing point of view, as I found some of the best results come from using this to process the standard library sounds. Guitar Rig is a worthy addition to your arsenal so, if you haven't already got it, be warned: using the demo tempts you mercilessly! A word should also be said about the manual: it's not only very well written, but supplied both as a PDF and hard copy, which is becoming a rarity these days.

So has CHG succeeded where so many libraries have gone before? As a one-stop library, a resounding yes — it gives you a little bit of
everything at your fingertips, all well recorded and with enough articulations to sink a battleship. Other libraries dedicated to only one or two instruments may have a small edge in terms of sound, but few have the accessible playability of CHG, nor its wealth of playing styles. That is not intended to damn it with faint praise, either — I would happily have it as my sole guitar library."

5 STARS