Created and produced by Doug Rogers (EastWest) and David Fridmann (MGMT, The Flaming Lips etc.), THE DARK SIDE is the first of its kind: an unconventional, hip and exciting collection of virtual instruments, some dark and eerie, and some which have been purposely—and skillfully!—mangled, distorted, or effected out of all recognition.
** License only
When ordering "license only" just the serial number for activation will be delivered. Please order only if you have any access to the library content!
THE DARK SIDE provides inspiration for all composers and artists that are looking for unique instruments, designed to work for everything from alternative to progressive rock, and of course, film, TV, and game music production.
THE DARK SIDE includes a vast, 40 Gigabyte collection, including dark and eerie instruments, and highly processed drums and percussion, basses, guitars, ethnic, keyboard, strings, and effected instruments, all organized into instrumental groups so you can create complete tracks.
To produce THE DARK SIDE, Rogers partnered with Grammy Award-Winning record producer David Fridmann, whose unconventional (and successful) work with the likes of MGMT, The Flaming Lips, Weezer, Mercury Rev, Saxon Shore, Ammonia, Ed Harcourt, Sparklehorse, Café Tacuba, Elf Power, Mogwai, Thursday, The Delgados, Low, Phantom Planet, Gemma Hayes, Goldrush, Tapes ’n Tapes, Hopewell, Black Moth Super Rainbow, Number Girl, Zazen Boys, Sleater-Kinney, Clap Your Hands Say Yeah, OK Go, and Tame Impala etc. he had long admired.
The Concept for The Dark Side: Creativity without limits!
"THE DARK SIDE idea came to me when I was mentoring a young alternative group about some demos they sent me. To my ears, the tracks didn’t sound tough enough for their intended market, so I told them they needed to toughen up their sound,” said Doug Rogers, Award-Winning Producer at EASTWEST. “I looked around for sounds that could accomplish this and found absolutely nothing, even in our own vast collection. I saw this huge, gaping hole in the market that needed to be filled. Then and there, I decided to make it my next project after my recent pristine orchestral productions, a complete aural turn-around."
THE DARK SIDE user interface combines intuitive handling and functions as a plug-in instrument, without the need for a sampler. (Click to enlarge)
Rogers partnered with Grammy Award-Winning record producer David Fridmann. Fridmann’s “no rules” style of production was exactly what Rogers was looking for to help produce THE DARK SIDE instruments.
Once they got started, they were like bulls in a china shop: mass aural destruction was the name of the game. They turned traditional instruments into highly processed drums, percussion, basses, guitars, ethnic, keyboards, strings, and FX, all organized into instrument groups for easy audition and recall.
Rogers and Fridmann not only tapped into a wealth of recording and producing experience for THE DARK SIDE, but had the gear to match. Many individual instruments were processed through 5 or 6 effects units, some of the vintage and esoteric tube variety owned by the pair.
THE DARK SIDE distorted and mangled instruments are intended to be used with cleaner instruments to make them really stand out in a mix, or to disturb the senses. With today´s brick-wall limiting, distorted instruments may be the only production trick left to make an instrument stand out in a mix, a successful technique used often by Radiohead, Muse, Nine Inch Nails, etc.
As the project progressed, they realized the instruments would work for almost every style from alternative to progressive rock, and THE DARK SIDE name was chosen as a play on words between both styles of music. However, most of these instruments would be equally at home in Pop, Dance, Electronica, and even Hip Hop.
MIPA Award 2011 for "The Dark Side" !
Features
Produced by multiple Award-Winning producer DOUG ROGERS and Grammy Award-Winning producer DAVID FRIDMANN (MGMT, Flaming Lips etc.)
Many instruments have been purposely—and skillfully!—mangled, distorted, or effected out of all recognition (plus a selection of dark and eerie instruments).
Easy to use browser displays all of your instruments. Interface automatically changes to display current instrument.
Perfect for pop (to toughen up the hook), alternative (everything you need), and, of course, film, TV, and game music production
Included are 40GBs of highly processed drums and percussion, basses, guitars, ethnic, keyboard, strings, and FX instruments and sounds, all organized into instrumental groups
Includes PLAY 2 32-bit and 64-bit* sample player, plug-in and standalone (*64-bit is PC only at this time)
Easy authorization system puts licenses on hardware iLok, allowing you to use the software on any computer.
AU, VST, Standalone, Intel Mac, Windows XP, Vista and 7
This library includes "PLAY 2" as a Sample-Player already
Minimum Requirements for Mac
OSX 10.5 or newer
Intel Core 2 Duo Processor 2.1GHz or newer
2GB Ram
Harddisk 7200 RPM or faster
Recommended Mac System
OSX 10.5 or newer
Mac Pro Quad Core Intel Xeon 2.66GHz or newer
8GB Ram
Harddisk 7200 RPM or faster
Minimum Requirements for PC
Windows XP SP2 or Vista, Sound Card with ASIO Driver
Intel Core 2 Duo, or AMD Dual Core 2.1GHz or newer
4GB RAM
Harddisk 7200 RPM or faster
Recommended PC System
64-bit Windows/Host Sequencer
Intel Core 2 Quad, or AMD Quad-Core 2.66GHz or newer
8GB RAM
Harddisk 7200 RPM or faster
All Systems
iLok required (not included), internet connection required for one-time product activation (a free soundsonline.com account is required for retrieving and managing iLok licenses)
Hard disk space for libray content
DVD Drive
INCLUDED FOR BOTH PC & MAC:
- 32-bit standalone and plug-in versions included.
- 64-bit PC VST (host must support 64-bit VST plugins) and standalone versions included.
- Check the following compatibility chart for availability of other 64-bit versions and updates.
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