Hip Hop Underground

HIPHOP UNDERGROUND est basé sur le nouveau moteur "Elastik Engine" 
et contient donc tout ce que les professionnels peuvent attendre (mise au tempo et hauteur de son sans aucun effet négatif audible).

HIP HOP UNDERGROUND - Des grooves serrés, des beats sur vitaminés

Fonctionnalités d'"Elastik" :
+ timestretching et pitchshifting de qualité ultra rapides
+ "Loopeye" pour des variations de loops très vite mis en oeuvre
+ tous les paramètres contrôlables en midi
+ management multicontenu
+ chaque produit est installable individuellement 
+ mapping tools (coupe automatique et chromatic-map)
+ sauvegarde de l'audio avant et après modification
+ user presets
+ Fonction kill (-72db)
+ Tempo adaptable de 10 à 480 bpm
+ installation réduite possible 
et bien plus ... 

elastique Pro en licence de zplane.development

Système requis :

Mac OS X 10.3, 512 Mo RAM minimum,
G4 500 MHz minimum
2.5 Go d'espace disque libre

- RTAS (req. Pro Tools 6.4 ou ultérieur)
- Audio Units
- VST
- StandAlone

Windows 98SE,XP, 512 Mo RAM minimum,
Pentium 800 MHz minimum
2.5 Go d'espace disque libre

- RTAS (req. Pro Tools 6.4 or later)
- VST
- StandAlone

Démos video

	Introduction
	Registration & Activation
	Browser Window
	Browser Function
	User Settings
	Loopeye

Plus d'information

Download Elastik 2 Installer MAC
Download Elastik 2 Installer WIN
Download Elastik Demo-Soundbank
Quickstart Manual
Elastik 2 Manual

Systemrequirements

Free ELASTIK 2 Player is included in this product or can be downloaded for free!

Interfaces:
Mac & PC (32 Bit and 64 Bit) - AudioUnits, VST, StandAlone, RTAS (32bit only)

System requirements (recommended):
MacOS X 10.5 or newer: 2GHz / 2GB RAM
Windows XP / Vista / Win7: 2GHz / 2GB RAM

Elastik 2 Features

• innovative loopeye functions
• fast browser features (multiple filter search, tagging)
• prelisten in sync
• sequence mode (loads of edtiting features per slice)
• random sound replacement
• parameter automation
• realtime sync to host
• bounce of original and modified loops
• resizeable window format
• mutiple soundbank management
• timestretch and pitchshift in best quality

Product activation:
An internet connection on any computer is required to authorize / activate the product (Challenge/Response).

Revue de presse

Virtual Instruments, 06/2006

Hip Hop Underground

Virtual Instruments, June 2006
http://www.virtualinstrumentsmag.com


It’s hard to keep track of all the variations of hip hop and rap out there. This collection has a distinctly European synth pop flare, with a strong nod towards old- school toasting as much as newer gangsta rap. There are also examples of smooth R&B, horroshow theatrics, and ethnic blends. The production is aimed squarely at the lo-fi set, with heavy compression, crunchy drums, and an 8-bit feel to many of the instruments.

This 2.3 gig collection takes up two slots in Elastik, featuring five folders holding well over 100 Construction Kits plus a folder each of Construction Singles and Drum/Percussion Singles. The Construction Kits range in tempo from 61 to 127 bpm, focused in the mid 80s to upper 90s. A kit typically contains 8 to 11 4-bar loops, which includes a full mix, an instrumental mix, a drum mix, and then breakdowns of the drum and instrumental parts. Having all of the components in one bank per construction kit makes it easy to perform these live.

Computer Music, 06/2006

Sound On Sound, 06/2006

Hip Hop Underground

Sound On Sound, June 2006
http://www.soundonsound.com

It is no secret that hip-hop producers will entertain the notion of
using drum hits within drum machines or software samplers and
Ueberschall have usefully provided a ´bouncing´ option from within
the Elastik loop player, thus opening up the content to unlimited
use. Hip Hop Underground is a useful tool for the contemporary urban
producer, especially because of the quality of the extra drum
samples. The main construction kits might not provide the necessary
chart-topping hooks, but seamless looping and playback functionality
will certainly spark some creativity. Stereo Mike

Beat, 07/08 - 2006