Die großen Vienna Instruments DVD Collections sind die leistungsfähigsten orchestralen virtuellen Instrumente, die je entwickelt wurden. Die Collections, in die verschiedenen Instrumenten-Kategorien eingeteilt, bieten die vollständigen Spielweisen der jeweiligen Instrumente mit denen Sie die hochwertigsten und authentischsten Ergebnisse erzielen können.
- Fanfaren-Trompeten
- Kornett
- Altposaune
- Euphonium
Ebenso wie Special Woodwinds bietet die Vienna Instruments Collection Special Brass klangvolle Raritäten, die in einem virtuellen Orchester, das höchsten Ansprüchen genügt, nicht fehlen dürfen.
Um den Epic Horns ein ebenbürtiges Pendant zu bieten, wurde ein Ensemble von sechs Trompeten aufgenommen (drei B-Trompeten und drei C-Trompeten). Die Fanfaren-Trompeten machen besonders mit den sforzato und sforzatissimo-Spielweisen ordentlich Druck oder liefern das strahlende Trompetenmotiv, das erhaben über dem Orchester thront.
Als weiteres Highlight konnte das Wiener Team den vielbejubelten Solotrompeter Freddy Staudigl für ein weiteres Soloinstrument der Trompetengruppe gewinnen: das Kornett.
Mit der Altposaune wird die Posaunenfamilie der Vienna Symphonic Library in der hohen Lage erweitert, somit stehen nun vier Posaunenstimmungen zur Verfügung.
Eine weitere Ergänzung stellt das Euphonium dar, welches das hohe Register der Tubafamilie abdeckt.
Mehr Infos
ScreenshotSystemvoraussetzungen
- Bitte beachten Sie, dass die "Extended Library" eine Erweiterung mit mehr Instrumenten und erheblich erweitertem Sample-Content ist. Sie ist nur aktivierbar, wenn man bereits die "Standard Library" (Virtual instrument incl. Player) besitzt!
"Standard Library" plus "Extended Library Upgrade" ergeben die "Full Version"
PC
- Intel/AMD mit Windows XP/VISTA/7 32Bit und 64Bit Versionen (Core 2 Duo/i7/Xeon empfohlen)
Apple
- Intel Core 2 Duo/Xeon-Prozessor mit Mac OS X 10.5.7 oder höher (Vienna Instruments 4 funktioniert auch auf PPC Macs, diese werden aber nicht aktiv unterstützt.)
für alle
- 1 GB RAM (2 GB oder mehr empfohlen)
- Schnelles separates Festplattenlaufwerk mit freiem Speicherplatz entsprechend der Library
- ViennaKey (Vienna Symphonic Library USB Kopierschutz-Stecker oder anderer Syncrosoft eLicenser)
- DVD-Laufwerk zur Installation
- Vienna Ensemble 2.0 Host-Software oder
- VST (OS X, Win XP), AU (Mac) oder RTAS (Mac) kompatibles Host-Programm (läuft auch stand-alone)
- aktuelles eLicenser Control Center (es wird empfohlen, die aktuelle Version von www.elicenser.net herunterzuladen und zu installieren)
- 88 Tasten Master-Keyboard (empfohlen)
Produkt Aktivierung:
Vienna Instruments benötigen einen ViennaKey!
Der USB-Dongle von eLicenser (vormals Syncrosoft, kompatibel z.B. zu Steinberg, Arturia etc.) ist nicht in der Packung der Vienna Instruments enthalten, sondern muss separat erworben werden. Sie müssen also zumindest einen ViennaKey gemeinsam mit Ihrer ersten Collection bestellen. Er wird automatisch mit dem ersten Instrument in den Warekorb gelegt, kann aber wieder gelöscht werden, falls Sie ihn nicht benötigen. Besteller des gesamten SYMPHONIC CUBE erhalten einen ViennaKey gratis (erscheint nicht im Warenkorb). Jeder ViennaKey kann bis zu 100 Produktlizenzen speichern.
Ausserdem benötigen Sie eine Internetverbindung auf einem beliebigen Computer, um einen ViennaKey zu autorisieren.
The budget priced Vienna Special Edition (SE) lets you test VSL's wares without breaking the bank. SE is an 80GB (53.5GB when installed) compilation of
instruments drawn from VSL's vast sample database, which runs solely on the Vienna instrument engine. A snip at £230, the standard version contains solo
and ensemble strings, 13 solo woodwind and brass instruments, three brass ensembles, standard orchestral percussion, tuned perc, the fabulous Vienna
hard, a celeste and an eight-octave Bosendorfer grand piano. In short, a working orchestra (including a pianist with very long arms) lacking no significant
instruments.
SE's extended library offers a large number of very useful extras : scaled-down 'chamber' strings, supplementary solo woodwinds and brass, woodwind
ensembles, the cinematic 'Epic Horns' and three solo saxophones. A harpsichord, classical guitar, a hairy, overdriven rock guitar and even the Vienna
Konzerthaus Organ are thrown in for good measure, along with sustains and staccatos from VSL's ever popular, lush Appasionata Strings. Everything but the
kitchen sink, and I wouldn't be against VSL sampling that at some point. (See http://vsl.co.at/shop/articulationsspecialeditionnew.htm? for a full listing)
The patches are cut down versions of their Vienna Instruments equivalents, with fewer velocity layers and samples, spanning a tone rather than a
semitone. Despite this, I found little difference between SE's 14 violins and the full VI version; the non-chromatic sampling had no detrimental effect, and having three
dynamic layers rather than four was something I could live with. The same isn't true of the Bosendorfer - three velocity levels simply can't do justice to an
acoustic piano.
Though blessed with a comprehensive instrumentation, SE offers relatively few performance styles - potentially a problem if you want to recreate a full
orchestral score.
But alongside the no-frills deliveries (typically, sustain, staccato, and sforzato, plus detache, temolo and pizzicato for the strings) you'll find the wonderful
performance legatos and 'Bollywood' portmanteau slides that other sample libraries can't touch. Now that the Pro Edition and Horizon series titles are
discontinued, Special edition is the only single VSL collection capable of creating full orchestrations. That alone should make it a serious proposition, but
whether you factor the superb musicianship, beautiful close-up sound an legato samples, SE begins to look like a must-have product. For those already
hooked on the Vienna Sound, the latest trio of Vienna Instruments offer some mouth watering (if somewhat specialised) additions. Special Woodwinds (31GB)
has five new, rare instruments. The bass flute sounds beautifully warm and breathy, especially in its sumptuous low register. Played in combination with
strings, it creates a psychoacoustic effect akin to being wrapped in cotton wool and dipped in warm caramel. If that thought makes you feel amorous, you
might fancy a quick tottle on the lovely oboe d'amore (a warm exotic-sounding reed instrument reminiscent of a cor anglais, but with a slightly brighter tone).
Sounding like a bass oboe, with which it is often confused, the hecklephone is stunningly expressive and lyrical, and one of the nicest sounding woodwinds in
VSL's collection.
Musicologists will be pleased (English football fans less so) to see the Basset horn included. To the untutored ear (of which I have two) it sounds like a
clarinet, but this instrument has a more penetrating one, and sounds more assertive that the rather retiring B-Fat clarinet in woodwinds 1. If your looking for
depth, check out the might contrabass clarinet: its practically subsonic low register sounds almost electronic, while its upper range is clear and rotund: a
sonorous, melancholy timbre. Perhaps as a nod to brass band enthusiasts, the 22.5GB Vienna Instrument Special Brass includes a cornet and
euphonium, both played with pinpoint accuracy, The cornet provides subtle alternative to solo trumpet and is fast becoming a favourite with VSL fans. The euphonium (a
type of tuba) and alto trombone extend their respective instrument family's high resisted by a fourth; the latter plays some great slides which track intervals of
up to six semitones. While these instruments have their uses, most people will be interested in special brass 'fanfare Trumpets'. Designed to complement the
eight player Epic Horns, the new section features six unison trumpets with a fat, slightly chorused sound. There crescendos and sffz performances are a
knockout and will add great brilliance, power and sonic majesty to orchestral arrangements.
Playing a real harmonium involves non stop pedal pushing, but VSL have banished the leg strain on their 8GB Special Keyboards by sampling eight
harmonium stops, ranging from a plain, hymnal bourdon to the multi-octave wheeze of "Grangjeu'. We can now enjoy long sessions of this folksy Victorian
reed organ without coming away feeling that we've been man marking `Chistiano Ronaldo'. SK also features a harpsichord (here given its Italian/German name
'Cembalo'). Only three stops are provided one on them couples a high octave to the fundamental pitch, making that bright, crashing metallic racket I associate
with Iconic 1960's TV themes. Say 'prepared piano' and you can bet your life someone will say 'John Cage' the being the name of the zany American Chap
who first inserted erasers, nails, wire , paper and so on between the piano strings (perhaps as a protest against childhood piano lessons?) VSL haven't
exactly followed Cage's Preparation instructions, but they do have an extensive fiddle about inside the fortunate Joanna, totally messing up its sound by
inserting chains, screws, foil and glass in the strings. In addition to the resulting set of jangly industrial percussive noises, there are delicate
harmonics, zither-like stick hits and some nice spooky glissandi. All good fodder for the creative composer's sound palette, and recommended if you've a couple of
hundred quid to spare.
5 Stars
Testbericht :
Vienna Symphonic Library Special Edition & Special Woodwinds, Brass & Keyboards
Sound On Sound - October 2007
The budget priced Vienna Special Edition (SE) lets you test VSL's wares without breaking the bank. SE is an 80GB (53.5GB when installed) compilation of
instruments drawn from VSL's vast sample database, which runs solely on the Vienna instrument engine. A snip at £230, the standard version contains solo
and ensemble strings, 13 solo woodwind and brass instruments, three brass ensembles, standard orchestral percussion, tuned perc, the fabulous Vienna
hard, a celeste and an eight-octave Bosendorfer grand piano. In short, a working orchestra (including a pianist with very long arms) lacking no significant
instruments.
SE's extended library offers a large number of very useful extras : scaled-down 'chamber' strings, supplementary solo woodwinds and brass, woodwind
ensembles, the cinematic 'Epic Horns' and three solo saxophones. A harpsichord, classical guitar, a hairy, overdriven rock guitar and even the Vienna
Konzerthaus Organ are thrown in for good measure, along with sustains and staccatos from VSL's ever popular, lush Appasionata Strings. Everything but the
kitchen sink, and I wouldn't be against VSL sampling that at some point. (See http://vsl.co.at/shop/articulationsspecialeditionnew.htm? for a full listing)
The patches are cut down versions of their Vienna Instruments equivalents, with fewer velocity layers and samples, spanning a tone rather than a
semitone. Despite this, I found little difference between SE's 14 violins and the full VI version; the non-chromatic sampling had no detrimental effect, and having three
dynamic layers rather than four was something I could live with. The same isn't true of the Bosendorfer - three velocity levels simply can't do justice to an
acoustic piano.
Though blessed with a comprehensive instrumentation, SE offers relatively few performance styles - potentially a problem if you want to recreate a full
orchestral score.
But alongside the no-frills deliveries (typically, sustain, staccato, and sforzato, plus detache, temolo and pizzicato for the strings) you'll find the wonderful
performance legatos and 'Bollywood' portmanteau slides that other sample libraries can't touch. Now that the Pro Edition and Horizon series titles are
discontinued, Special edition is the only single VSL collection capable of creating full orchestrations. That alone should make it a serious proposition, but
whether you factor the superb musicianship, beautiful close-up sound an legato samples, SE begins to look like a must-have product. For those already
hooked on the Vienna Sound, the latest trio of Vienna Instruments offer some mouth watering (if somewhat specialised) additions. Special Woodwinds (31GB)
has five new, rare instruments. The bass flute sounds beautifully warm and breathy, especially in its sumptuous low register. Played in combination with
strings, it creates a psychoacoustic effect akin to being wrapped in cotton wool and dipped in warm caramel. If that thought makes you feel amorous, you
might fancy a quick tottle on the lovely oboe d'amore (a warm exotic-sounding reed instrument reminiscent of a cor anglais, but with a slightly brighter tone).
Sounding like a bass oboe, with which it is often confused, the hecklephone is stunningly expressive and lyrical, and one of the nicest sounding woodwinds in
VSL's collection.
Musicologists will be pleased (English football fans less so) to see the Basset horn included. To the untutored ear (of which I have two) it sounds like a
clarinet, but this instrument has a more penetrating one, and sounds more assertive that the rather retiring B-Fat clarinet in woodwinds 1. If your looking for
depth, check out the might contrabass clarinet: its practically subsonic low register sounds almost electronic, while its upper range is clear and rotund: a
sonorous, melancholy timbre. Perhaps as a nod to brass band enthusiasts, the 22.5GB Vienna Instrument Special Brass includes a cornet and
euphonium, both played with pinpoint accuracy, The cornet provides subtle alternative to solo trumpet and is fast becoming a favourite with VSL fans. The euphonium (a
type of tuba) and alto trombone extend their respective instrument family's high resisted by a fourth; the latter plays some great slides which track intervals of
up to six semitones. While these instruments have their uses, most people will be interested in special brass 'fanfare Trumpets'. Designed to complement the
eight player Epic Horns, the new section features six unison trumpets with a fat, slightly chorused sound. There crescendos and sffz performances are a
knockout and will add great brilliance, power and sonic majesty to orchestral arrangements.
Playing a real harmonium involves non stop pedal pushing, but VSL have banished the leg strain on their 8GB Special Keyboards by sampling eight
harmonium stops, ranging from a plain, hymnal bourdon to the multi-octave wheeze of "Grangjeu'. We can now enjoy long sessions of this folksy Victorian
reed organ without coming away feeling that we've been man marking `Chistiano Ronaldo'. SK also features a harpsichord (here given its Italian/German name
'Cembalo'). Only three stops are provided one on them couples a high octave to the fundamental pitch, making that bright, crashing metallic racket I associate
with Iconic 1960's TV themes. Say 'prepared piano' and you can bet your life someone will say 'John Cage' the being the name of the zany American Chap
who first inserted erasers, nails, wire , paper and so on between the piano strings (perhaps as a protest against childhood piano lessons?) VSL haven't
exactly followed Cage's Preparation instructions, but they do have an extensive fiddle about inside the fortunate Joanna, totally messing up its sound by
inserting chains, screws, foil and glass in the strings. In addition to the resulting set of jangly industrial percussive noises, there are delicate
harmonics, zither-like stick hits and some nice spooky glissandi. All good fodder for the creative composer's sound palette, and recommended if you've a couple of
hundred quid to spare.
5 Stars
Ab Lager
5 Tage
2-3 Wochen
