Compared with its close relative the flute (“flauto traverso”), the instrument range of the wooden recorder (“flauto dolce”) is more limited in terms of pitch and dynamics. This is one of the reasons why the recorder was replaced by the (traverse) flute in orchestras around the 18th century. However, recorders were very popular during medieval times and into the renaissance, and even in the baroque era famous composers such as Telemann, Bach, Händel and Vivaldi wrote pieces for these instruments.
Due to the absence of upper harmonics and a predominance of odd harmonics, the sound of recorders is soft and mellow. The instrument is often unfairly marginalized as a toy for children or amateur players, with its main application being music pedagogy and domestic music. However, contemporary composers of all genres (from Luciano Berio and Mauricio Kagel to Keith Jarret) have written demanding pieces for the recorder, expanding its timbral range in a virtuosic way. What’s more, recorders are used as solo instruments in modern film music, adding a particular exotic timbre with references to ancient or far eastern worlds in orchestral scores. All four recorders of this Instrument Collection were played by Austrian flute and recorder virtuoso Leopold Eibl, a sought-after soloist and chamber musician.
Instruments
- Soprano recorder
- Alto recorder
- Tenor recorder
- Great bass recorder
Articulations:
Performances:
• Interval Performances: Legato (with and without vibrato)
• Repetition Performances in various lengths
• Performance Trills
Single notes:
• Short notes (staccato)
• Long notes (sustains), with and without vibrato
• Dynamics: Crescendo & diminuendo in various note lengths, sforzato (sfz)
System Requirements
Your purchase of any VSL library entitles you to download the free Vienna Instruments player software that includes the Vienna Ensemble mixing host.
MINIMUM
• PC Windows 7 (latest Service Pack, 32/64-bit), Intel Core 2 Duo or AMD Athlon 64 X2
• Mac OS X 10.6 (latest update), Intel Core 2 Duo
• 2 GB RAM (4 GB recommended)
• ViennaKey (Vienna Symphonic Library USB protection device) or other USB eLicenser (e.g., from Steinberg or Arturia)
• eLicenser Control Center software (get the latest version from www.eLicenser.net)
• free hard drive space according to This Library Size Chart
Other configurations might work but are not actively supported.
RECOMMENDED
• PC Windows 7 (latest Service Pack, 64-bit), Intel i5/i7/Xeon
• Mac OS X 10.7 (latest update), i5/i7/Xeon
• Fast separate hard drive (7200 rpm or faster)
• AU/VST/AAX Native/RTAS compatible host (also works stand-alone)
• RTAS version requires Pro Tools 7.3 or higher
• 88 key master keyboard
- Please notice: To use the "Extended Library" you need to have the corresponding "Standard Library" already registred in your account."Standard Library" plus "Extended Library" result in a "Full Version"
System FAQsProduct activation:
Vienna Instruments require the ViennaKey!
This USB protection device by eLicenser (formerly Syncrosoft) is not included in the box of any collection, it is a separate item you have to get additionally. So you’ll have to order at least one ViennaKey with your first purchase. It will be put inside the shopping basket automatically but can be deleted if not required. Customers who order the complete SYMPHONIC CUBE will get one ViennaKey for free (not shown in the basket). If you already own another eLicenser USB protection device (e.g., from Steinberg or Arturia), you can use it for the VIENNA INSTRUMENTS, too. Each dongle can store up to 100 product licenses.
Additionally an internet connection on any computer is required to authorize a VSL product.
Q: How can I setup a Matrix-Template in the Vienna Instruments Player?
A: Please check this useful tutorial at www.soniccontrol.tv
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