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ERA II  Medieval Legends
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ERA II Medieval Legends

4.8 of 5
 (65)
€ 259,-
$ 259.00
£ 219.00
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AAX native, AU, Mac, Standalone, VST, Win
ca. 13.48 GB
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ERA II header

ERA II Medieval Legends - a wonderful collection from a forgotten fantasy world of knights, princesses and dragons...

All users that have registered ERA (1) may purchase an upgrade for the price of € 99.-
 

ERA II  takes you to a distant journey, deeper into the medieval than ever. Eduardo Tarilonte, creator of award-winning libraries such as Forest Kingdom, Desert Winds, Epic World and Shevannai, presents the considerably expanded version of the first edition of ERA Medieval Legends.

ERA II offers an even more comprehensive selection of historic instruments. This library holds the perfect instruments for film- and television soundtracks with historical background, fantasy-games as well as folk-music, medieval-rock and related compositions.

For ERA II, Eduardo Tarilonte has created 25 new instruments, resulting in a total number of over 70 instruments, all being recorded in highest detail and quality. In addition, there are a large number of soundscapes available - all ready to be used within the advanced Engine-Player and its generously expanded and specifically optimized user interface

Requires Free Engine 2.3.0.25 or newer


ERA II hornERA II Medieval Legends contains:

  • 10 flutes
  • 8 reed instruments
  • 4 war horns
  • 3 brass instruments
  • 9 bowed strings instruments
  • 13 plucked strings instruments
  • 3 keyboards
  • 20 percussion instruments
  • 1 singing voice

 

Recordings for ERA II took place in different selected spanish studios, such as Madrid's Infinity Studios as well as Eldana Studios in Dueñas, just to name some. Also, numerous talented musicians contributed their skills to the project, among them  Rinaldo Valldeperas (crumhorns, shawms, renaissance soprano recorder), Efren López (Gittern, Bass Citole, Medieval Psaltery, Medieval Lute), Cecilia Nocilli, Lorena Porres and many others.

ERA II Screen 2
All instruments and voices have been recorded using a Neumann U87 microphone being accompanied by selected highest quality preamps from manufacturers such as Avalon and Neve. The instruments have intentionally been captured with close mic techniques avoiding unwanted room information to enable the user full control over the following sound shaping process and added effects.

 

 

 

 

ERA II harpERA II pursues the goal of capturing the musical atmosphere and sound aesthetics of the medieval, porting these old times into the computer-based production environment. The carefully programmed user interface of the Engine-Player supports easy use of the library, allowing the sounds of ERA II to create inspiration and unfold the musician's full creativity. ERA II is very much like an exciting fantasy-novel, taking musicians and composers to a journey into dark and long forgotten times.

 

ERA II Screen

ERA II is well suited for different styles and genres ranging from medieval scores with authentic sounding instruments to fantasy-music, soundtracks and new-age-spheres.
 

 

The sounds of ERA II are absolutely unique and cannot be found in any other library. Added is an overwhelming choice of instruments, sounds and soundscapes that provide musicians with a complete sonic compendium for the task that virtually needs no additional sounds.

 

The instruments in ERA II use extensive multisampling, dynamic layering, diverse articulations, round-robin and true-legato-samples. The library contains 25 gigabytes of sample data including all instruments and sounds of part one.

ERA II rock

ERA II  Instrument-list -  limited edition

new in ERA II             from ERA (1)

Winds

Reeds
  • Renaissance Soprano Recorder
  • Renaissance Alto Recorder
  • Renaissance Tenor Recorder
  • Renaissance Bass Recorder
  • Traditional Soprano Recorder
  • Traditional Wooden Flute
  • Gemshorn
  • 2 holed flute
  • Tin Whistle
  • Wooden Transverse Flute
  • Crumhorn Soprano
  • Crumhorn Alto
  • Crumhorn Tenor
  • Crumhorn Bass
  • Bagpipe A
  • Bagpipe D
  • Chirimia
  • Bombarde
War Horns Brass
  • Anyafil
  • Shofar
  • Celtiberic War Horn
  • War Horn
  • Natural Trumpet
  • Sackbut
  • Cornetto
Bowed Strings Plucked Strings
  • Bass Viola da Gamba
  • Fidule
  • Hurdy Gurdy
  • Viola de Roda
  • Bowed Psaltery
  • Tromba Marina
  • Nyckelharpa
  • Fiddle Grooves
  • Tenor viola da gamba
  • Baroque Guitar
  • Renaissance Lute
  • Renaissance Small Harp
  • Renaissance Small Bray Harp
  • Zither
  • Psaltery (Beaten)
  • Medieval Psaltery
  • Gittern
  • Bass Citole
  • Medieval Lute
  • Small Psaltery
  • Gothic Harp
  • Langeleik
Keys Voices
  • Organetto
  • Spinet
  • Virginal
  • Tavern Singers
Percussion Percussion
  • Army Piccolo Snare
  • Barbarian Frame Drum I
  • Barbarian Frame Drum II
  • Frame Drum (stick)
  • Bombo Leguero
  • Bumbac High
  • Bumbac Mid
  • Bumbac Low
  • Distant Drums
  • Execution Snare I
  • Execution Snare II
  • Juglar Snare
  • Tambourine I
  • Tambourine II
  • Tambourine III
  • Church Bells
  • Napoleonic Snare
  • Field Drum
  • Kettle Drums
  • Claps

 

 
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related products Related products

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info More infos

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review Reviews

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Flag ENspaceMusicTech Magazine, 01/2016


MTM six of the best


Flag ENspaceMusicTech Magazine, 07/2015


  • MusicTech Choice 9/10Fantastic sounding instruments
  • Some great left-field inclusions
  • All well recorded
  • Additional playing styles and variaations very useful
  • It's a sonic museum
  • IT's Eduardo

excerpt

So it's a thoroughly astonishing collection, a museum of ancient instrumentation and a fantastic resource. At the very least, it's a record of times and instruments gone by, but for today's producer it's wealth of history to tap in to and slightly left-of-centre instrumentation to make your compositions stand out from the rest. And in that sense, it scores higher than other Tarilonte collections simply because you can apply it to so many more genres, as it's less specific.

ERA II could be seen as a great collection for instrument completists, but it's been put together in such a way that we can all discover some amazing new sounds and textures, and apply them to many different styles of production. Hands-on control takes it above most other collections

Andy Jones for MusicTechMag


Flag DEspaceAmazona.de 06/2015


Amazona Sehr GutAuszug

Was soll ich sagen, auch bei ERA II wird man vom Sample-Spezialisten Eduardo Tarilonte nicht enttäuscht. Die Instrumente an sich sind eine Sache, denn man kann sich vorstellen, dass es heutzutage nicht mehr viele Musiker gibt, die diese Instrumente nicht nur spielen können, sondern auch so gut beherrschen, dass man sie für eine Sample Library in Erwägung ziehen kann. Doch viel wichtiger ist bei ERA II die nicht nur zuletzt hieraus entstehende klangliche Qualität. Die Sounds können durch die Bank weg überzeugen und sind wie bereits erwähnt für unterschiedlichste Stilrichtungen und Einsatzgebiete denkbar.

Fazit

Das Update auf Version 2 ist bei Best Service ERA II Medieval Legends vollkommen geglückt. Nicht nur das etwas klarere Design des Interfaces ist gelungen, sondern vor allem wurde die Library mit neuen und sehr gut klingenden Instrumenten erweitert. Die vielen Details, die die Instrumente im wahrsten Sinne des Wortes zum Leben erwecken, sorgen dafür, dass ERA II für viele professionelle Einsatzgebiete herangezogen werden kann. Die Klangqualität stimmt, die Umsetzung und Spielbarkeit ist gelungen.

Felix Thoma für Amazona

gnazer ERA II Test bei Amazona.de


Flag DEspaceKeys 07/2015


Keys logo

Fazit (Auszug)

Dem Kolangmagier Eduardo Tarilonte ist es gelungen, die RAritäten nicht nur in vorzüglichger Audioqualität aufzunehmen, sondern sie auch nach Mittelkatlter klinken zu lassen. Die Samples sind nah, intim und angenehm trocken.Dank fließender Lautstärkemodulation, guter dynamischer Auflösung, zahlreicher Spielweisen und Round Robins gelingen spannende, authentische Kompositionen mit dem Klang einer vergangenen Aera


Flag DEspaceReleasetime.de, ERA II limited edition, 05/2015


releasetime.de best value

Auszug

ERA 2 – Medieval Legends ist nicht in Gänze perfekt, aber trotzdem eine hervorragende Library mit deutlichem Alleinstellungsmerkmal und viel Liebe und Leidenschaft zum Detail. Viele Instrumente sind woanders so nicht zu finden, der Klang ist fast makellos und das Scripting ermöglicht eine schnelle, bequeme und unkomplizierte Bedienung. Das Preis-Leistungs-Verhältnis ist ausgesprochen fair und zufriedenen Nutzern von ERA 1 drängt sich ein Upgrade bei gerade mal 99 Euro fast schon auf.

Testautor: Baldwin Freising

ganzer ERA II Test bei releasetime.de

Era 2 Medieval Legends – Library Check bei releasetime.de


Flag ENspaceThe Audio Spotlight ERA II limited edition 04/2015


ERA II Medieval Legends is simply an Awesome library.

 

TAS awesome

Conclusion

ERA II Medieval Legends is full with content that will keep you busy for a long time. There are some sounds that I particularly could do without but I have to say that the sound quality of the whole library is simply staggering. The price is a bit steep but the content, quality and ease of use surely make up for it. ERA II Medieval Legends is simply an Awesome library.


Zdravko Djordjevic
The Audio Spotlight

Full ERA II ltd review at TAS


Flag ENspaceSoundBytes Magazine ERA II limited edition 04/2015


SoundBytes logo

exerpt

What has Tropical House got to do with ERA II?

This is a sample library containing sampled medieval instruments aimed mainly at media composers. But as many of you are not media producers, we will try and find out how ERA II could also be useful for producers of pop, dance EDM and rock, seeing as all cinema, advertising, game and other media producers will probably buy this library anyway. The reason is pretty simple: in the world of sample libraries Eduardo Tarilonte has a reputation. Hes the one who killed the spirit of sample pack competitions. In the sound library field, Eduardo is something of a legend, like Tomba was for ski sports, or Schumacher was for Formula 1… Why bother competing when you know who will win? While all other competitors put goggles on at the start of a race, he never takes them off. He wears the goggles all the time – obviously he is some sort of natural born winner.

Aleksander Arsov

SounBytes Magazine

 

 


Flag ENspaceSound On Sound 09/2013 ERA (1)


SOS 5 Stars

Exerpt:

For me, the strength of Tarilonte's libraries is that all their round-robin and phrasing complexity is taken care of under the surface, so playing Era: Medieval Legends expressively becomes a real pleasure. Highly recommended!

Martin Walker, SoundOnSound,September 2013

SOS review EraMedievalLegends

 

 


Flag ENspaceKeyboard Recording France 09/2012 ERA (1)



Flag DEspaceDelamar 11/2012 ERA (1)


Delamar Sehr GutAuszug:

Kurzum: Hier erwartet dich ein sehr gutes Produkt mit reichlich Stoff zum Erforschen, Best Service hat wieder ganze Arbeit geleistet. Das bedeutet viereinhalb von fünf Sternen im Best Service Era Medieval Legends Testbericht auf delamar. Rather nice.

Delamar Testbericht EraML

 


Flag DEspaceBEAT 10/2012 ERA (1)


Beat Magazin Empfehlung der RedaktionFazit:

Kein Zweifel, Era ist die umfangreichste Sample-Kollektion historischer europäischer
Instrumente. Aber auch in puncto Produktionsqualität und Artikulationsvielfalt
genügt sie in höchsten Ansprüchen. Dabei ist es auf vortreffliche Weise gelungen,
den charaktervollen Klang der seltenen Instrumente ausdrucksstark spielbar
zu machen. Wenn Sie historische oder Fantasy-Musik für Filme und Games produzieren,
ist diese Bibliothek wärmstens zu empfehlen.

BEAT 6 Punkte Bewertung


Flag DEspaceAmazona.de 12.09.2012 ERA (1)


Amazona.de Sehr GutAuszug: Fazit:
ME überzeugt auf der ganzen Linie und vermag seine Nische hervorragend zu füllen. Eduardo Torrilentes Arbeit besticht durch eine große Liebe zum Detail, authentische Aufnahmen und einer sinnvollen Auswahl an Instrumenten, die eine große Bandbreite abdeckt und dennoch nicht überladen wirkt.
Bestimmt keine Software des täglichen Bedarfs, es sei denn, man habe einen Dauervertrag für Mittelalter-Soundtracks geangelt. Doch auch wer sich abseits dessen bewegt, was man landläufig als mittelalterliche Musik bezeichnet, findet hier Klänge, die erfrischend anders und unverbraucht klingen. ERA erschließt uns neue (also eigentlich alte), unbekannte Klangwelten und lehrt uns vor allem eines: Wer exotische Klänge sucht, braucht nicht unbedingt in Indien oder Korea zu suchen.
Die Soundscapes betrachte ich als nette Zugabe, bestimmt sinnvoll, um der eigenen Kreativität auf die Sprünge zu helfen, wenn sich die Muße mal wieder zieren sollte, unsereins zu küssen.
Alles in allem ein tolles Produkt, der Preis mag hoch erscheinen, ist aber angesichts der Qualität der Samples mehr als gerechtfertigt.

Plus

  • einzigartige Sound Library
  • Klangqualität
  • interessante Instrumente und Klänge

Minus

  • -

Amazona Testbericht EraML


Flag ENspaceAudiofanzine 09/2012 ERA (1)


Audio Fanzine LogoBilan

Excellent, tout simplement. En proposant des instruments rares avec une très bonne qualité sonore et de programmation, Eduardo Tarilonte offre une bibliothèque très intéressante, à la fois pour les médiévistes (en herbe ou confirmés) et pour tous les compositeurs qui pourront utiliser des sons inhabituels, pas forcément inédits, mais qui apporteront une touche d'étrangeté, d'inattendu ou de réalisme (certains instruments avec leurs bruitages sont bluffants) à des pièces plus modernes. Quasiment aucun reproche à faire, bouclages, programmation, fichiers Midi, tout est parfaitement réussi. Ce qui fait aussi regretter que la plateforme Engine/Independence ne soit pas utilisée par de plus nombreux éditeurs, tant elle montre ici son efficacité et sa puissance. En tout cas, il faudra suivre les produits de monsieur Tarilonte avec attention, le niveau étant très haut.

Audiofanzine Testbericht EraML


Flag DEspaceOkey 09/2012 ERA (1)


oKey Logo

Auf den Punkt gebracht: Eine hervorragende Library, nicht nur für Filmmusiker oder ausgesprochen Mittelalter-Fetischisten.


Flag ENspaceMusic Tech Magazine 09/2012 ERA (1)


MusicTech 8 StarsExcerpt:

Keeping it real
While a collection of authentic medieval instruments won't be to everyones's tastes or requirements, there's little doubt that Era perfectly fills a gap in respect to sensitively sampled authetic music instruments. Those of a more creative persuasion will undoubtedly see the musical potential behind the sounds included especially given the detail and expression behind their sampling and mapping, and for instance inspiration, the Sound Design collection is a great additional resource to an otherwise pletiful collection of instruments. MTM


Flag ENspacecomposerfocus.com 08/2012 ERA (1)


Computer Focus LogoVerdict

Conclusion

I dont believe theres a product on the market that can match this libraries sound and level of detail on such a wide array of historical instruments. Eduardo Tarilonte has really hit it out of the park with the entire package. Although I have my gripes about the interface, it can be easily overlooked when there is such a wealth of opportunity within the library.

I believe this library is going to immediately appeal to video game composers as fantasy and historical music tends to be more prevalent in the medium, although many film and TV composers would have use for this library if their projects are fantasy/historical orientated.

Era Medieval Legends provides a great collection of realistic, authentic and most importantly, usable instruments. If youre a composer looking to add some new color into your historical or fantasy music, this library is a must buy. Chris Mooney

ComposerFocus review EraML


Flag DEspaceKeys 09/2012 ERA (1)


Keys Magazin LogoTestauszug:

...Die Instrumentenauswahl der Library ist reichhaltig genug, um ein komplettes mittelalterliches Orchester auf die virtuelle Bühne zu versammeln...

Fazit: ERA bringt neues Klangfutter in den Rechner, klingt insgesamt frisch udn unverbraucht und eigent sich für alle Kompositionen, die mittelalterliche Instrumente und Klangfarben einbeziehen. Bass-Viola, Fiedel und Organetto sind echte Highlights. Zusammen mit den geschmackvolle arrangierten Soundscapes erhält man eine vielseitige, eigenständige Library, speziell für die Film- und Spielevertonung aber auch für Ambient- und Meditationsmusik. Andreas Ecker, Keys


Flag ENspacescorecastonline.com Video-walk-through ERA (1)


Score Cast Online Logo

Composer Dirk Ehlert takes you through a first look at Eduardo Tarilontes newest creation, ERA Medieval Legends — a unique sample library featuring a huge set of historical instruments covering the Medieval, Renaissance and Fantasy production genres. Dirk deconstructs a demo track using ERA and shows you how to build new worlds using this unique and exciting library.

ScoreCast video EraML


Flag ENspaceSoundAndGear.com ERA (1)


Sound And Gear 4.5 Subs

Sound And Gear Logo

Whats the bottom line?

Anytime Best Service releases a new product from Eduardo Tarilonte…I get excited.

I know the instruments are going to be super realistic and organic, and I know there are going to be another collection of amazing soundscapes, ambiances, and fx.

I give Era 4.5 out of 5 subs, regardless if this is your style of musical instrument or not, the quality and playability of the content just cant be denied.

His libraries always allow me to experiment with instruments I may otherwise never encounter. Many I have no clue how to pronounce or their history….but that doesnt stop me from playing them!

I also really dig how he gives you a quick info block on the instruments directly in the interface, really helps in exploring the content.

SoundAndGear review EraML

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product ratings Ratings

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The following reviews have been placed by customers who also bought this product from us. All reviews are provided through eKomi, Europes largest independent customer review company.

 
Language: englisch
5.0 of 5

very good library

03.12.2016
Language: englisch
5.0 of 5

I'm currently working on a project involving traditional Celtic music and was looking for something just like this (lutes etc.) to offer a more realistic sound. Although I've just started listening to the sounds on the disk, they are fantastic. The soundscapes are fantastic too and I'll probably use them as intros and segues to various tunes.

22.08.2016
Language: englisch
5.0 of 5

Using the product for creating backing tracks. Would recommend these products to professionals and amateurs alike. Excellent Quality

05.08.2016
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requirements Requirements

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Engine poweredBest Service ENGINE 2 Sample Player is included in this product!

Mac OS

  • Mac OS 10.8, 10.9, 10.10, 10.11
  • Min. recommended: Intel Mac 2GHz, 2GB Ram
  • Interfaces: Standalone, AU, VST (64bit only) 
  • Beta AAX Support for Pro Tools 11+

Windows

  • Windows 7, 8 and 10, 32bit & 64bit
  • Min. recommended: Intel Core 2.0GHz, 2GB Ram
  • Interfaces: Standalone, VST (32bit and 64bit)
  • Beta AAX Support für Pro Tools 11+

for all systems

  • Internet connection for product activation required (on any computer)
  • Additional hard disc space according to the library size

The latest Engine 2 and a tutorial video can be downloaded here:

Best Service Downloads

System FAQs
System FAQs - ERA II Medieval Legends

Q: How can I add a new library to Engine and activate the sounds?
A: That´s pretty easy. Have a look at our step by step tutorial video on YouTube

_________________________________________________________________________

Q: I cannot find my library´s title in ProTools instruments?
A: First you have to open "Engine" in ProTools, then you can load the library.
Watch this short tutorial

_________________________________________________________________________

Q: My 64 Bit Logic does not show Engine as a Plug-In after installation?
A: Engine 2.1.0.186 or later is required for OSX 64 Bit support - Download HERE

_________________________________________________________________________
 

online activationProduct activation:
An internet connection on any computer is required to authorize / activate the product (Challenge/Response).

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