Tverb was developed in collaboration with legendary producer, engineer and musician, Tony Visconti. The plug-in was inspired by the iconic sound of the title track of David Bowies twelfth studio album, Heroes, recorded in August 1977 in the shadow of the Berlin Wall. With only one track left for lead vocals, Visconti was able to harness the power of Bowies voice by inventing a stunning recording technique. This technique is the foundation of Tverb.
Visconti set up three microphones in the hall of Berlins Hansa Studios, the first for Bowie to sing directly into, a second positioned about 15 feet away and the third further back in the hall. Visconti placed gates on the second and third microphones set to open as Bowie sang louder and louder.
Tverb integrates three completely independent lush reverbs with compression and selectable polar patterns on microphone 1 and adjustable gates on microphones 2 and 3. Tverb recreates Viscontis iconic effect as a starting point while adding features that enable new soundscapes and effects. The use of stereo microphones enhances the effect and DAW automation can be used to program the microphones to wander around the hall as the track plays.
Inspiration of the Past/Power of the Future
Tverb was designed with a new level of efficiency for plug-ins. It captures the rich ambience of Hansas studio 2, the historic Meistersaal concert hall, without burdening your DAWs CPU. Tverb features three independent reverbs, with the ability for the two far microphones to be convincingly placed anywhere in the hall.
2 Moveable microphones to adjust reverb size and tone
Adjustable polar patterns for microphone 1 to adjust the amount of ambient room tone
Custom Eventide reverb algorithm with EQ, diffusion, and decay control
Compressor module on microphone 1, just as Visconti had in the original session
2 Linkable post-reverb gate modules with control of when the gates close, the speed at which they close and the length of time they are forced to stay open
Console (inspired by the one used in the session and with Viscontis "grease pencil" labelling) provides post-reverb channel processing for each individual mic and the master
Room mixer module alters the sound of the room itself with control over decay, diffusion and frequency attenuation
Signal inversion buttons to remove (or create) phase cancellation
Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
Complete automation support
Supported Operating Systems and PlugIn formats:
Mac OS 10.5: AU
Mac OS 10.6: AU, AAX
Mac OS 10.7: AU, AAX
Windows XP: VST
Windows 7: VST, AAX
All information is subject to change. The system requirements can change at any time due to the fact that software products are continuously evolving. If in doubt please consult the software manufacturers website for details or write an email to firstname.lastname@example.org before purchasing.
This product requires an activation!
You can either "soft" activate on your computer without addditional hardware or transfer the license to an iLok USB dongle which has to be purchased separately. The iLok dongle can be used to run the protected software on different computers. Your licenses can be easily manged using the iLok Licence Manager. To protect your investment against theft or loss we recommend the iLok Zero Downtime protection with TLC.
An internet connection on any computer and a free user-accout at www.ilok.com is required to authorize the product.