T-RackS 5 ist die neueste Version des legendären T-RackS, das seit 1999 Maßstäbe im Bereich Mixing und Mastering gesetzt hat und bei unzähligen Chart-Produktionen zum Einsatz gekommen ist. Das neue T-RackS 5 besteht je nach Version aus inzwischen bis zu 38 Prozessoren (T-RackS 5: 9, T-RackS 5 Deluxe: 22, T-RackS 5 MAX: 38), davon sind 4 neu:
Bis zu 16 Prozessoren können seriell oder parallel geschaltet werden, außerdem gibt es eine dem Broadcast-Standard entsprechende Metering-Bridge, ein re-designtes Interface und Multi-Format-Export. Damit kann aus einem Probemix ein perfekt produzierter Track für die digitale Verbreitung oder für den CD-Release produziert werden.
T-RackS 5 enthält: Classic T-RackS Equalizer, Classic T-RackS Compressor, Classic T-RackS Clipper, Classic T-RackS Multi-band Limiter, EQual, ONE, Dyna-Mu, Master Match und Metering.
Weitere Details in englischer Sprache:
With T-RackS 5, you have the freedom to optimize your workflow as you please with 3 working environments that will suit every need.
The standalone suite makes T-RackS 5 a complete, self-contained, one-stop mixing and mastering workstation that allows you to load a set of audio tracks and perform several operations, a typical method of top mastering studios. It's all in there: from an ever-expanding series of great sounding processors, to the most basic, but always necessary, waveform editing functions (like fades and length trimming of the audio file). Add to this a set of astoundingly precise and smooth, easy on the eye industry standard professional meters and you have everything you need to finalize your work from A to Z in one place.
The plug-in suite allows you to tap onto almost all the standalone mode features within the environment of your DAW of choice as the most powerful channel strip or mastering chain available today as a plug-in.
All T-RackS processors (including metering) can also be used as single plug-ins in any compatible DAW for multi-track mixing and stereo mastering duties. From equalizers and compressors, to reverbs, delays, harmonics enhancers and stereo processors, the choice is yours.
T-RackS lets you get the job done faster and better than anything else. The all-new interface is designed so you can achieve everything from a single window, smoother and faster than ever. Plus, it’s fully resizable at will, meaning that you can exploit the full size of your screen when working with it.
Just like in the previous T-RackS versions, the main module view shows the currently selected module, always sitting on top of the main frame so that its controls are quickly accessible. Just click on the module and tweak its parameters.
The new flexible module chain view allows you to manage all the modules in a flexible way, dragging and dropping them into the 16-processor series/parallel signal chain at will directly from the sidebar carousel showing all T-RackS available modules. Simply put, no other platform allows such unprecedented versatility.
The waveform view allows for super-fast editing operations of the waveform such as trimming, fading and looping of a selected area as well as placing snapshots for settings recall. We also made it a lot larger to help you visually perform all these tasks with greater precision.
We made T-RackS 5 more sonically powerful than ever. Now projects are supported with audio up to 192kHz / 32 bit floating point, so you can master for high-definition music platforms and distribution without ever leaving its single interface.
Plus, we added 4 dithering options for you to choose from, meaning you can optimize the dithering noise when reducing the bit-depth of your tracks to match the actual content of the song.
On top of that, T-RackS internal resampling engine has also been improved to deliver nothing less than best-in-class performance including DDM (Digital Delivery Mastering) on the way out from the final limiting stage, offering an additional layer of protection against inter-sample peaks and overshoots that could be generated by MP3, AAC encoding or similar compression and decompression processes.
T-RackS 5 includes a comprehensive suite of metering tools – with a completely overhauled internal engine - that provides you with immediate and complete visual information about the content of your audio material, so you can easily achieve professional results that will meet the strictest broadcast compatibility standards and will always sound great.
The new precision loudness LUFS meter, compliant with all leading professional reference standards, gives you valuable information about the integrated, mid or short term loudness of the material you are working on, so you know right away you are producing a master that has the perfect loudness for music delivery or broadcasting.
Peak, RMS and Dynamic Range meters give you useful information about the “crest factor” and dynamic response of your mixes. This way you can decide whether you want to go for a more compressed sound or a more dynamic one while still retaining the emotional impact of your songs.
The spectrogram, the real-time analyzer, the phase and correlation meters will also help you visually spot frequency imbalances and phase problems you might need to address before printing your masters for both digital and physical distribution.
M/S meters too will help you gather information about the relations between the mono and the stereo content of a track in terms of “overall energy”, so you can choose whether to go for a more widespread or in-your-face kind of sound.
Additionally, T-RackS 5’s new metering section can be launched as a separate floating window, like on a secondary screen, to let you keep an eye on levels while you focus on sound processing.
In T-RackS 5 you now can sequence and assemble your full-length production directly within the interface and create a cohesive album sequence, with suitable track metadata, like pauses, fades, track ID’s, ISRC codes, CD-Text, etc. Then you can export single high quality master audio files or the whole project in various formats such as WAV, AIF, standard DDP image for professional replication plants, or Wav Cue files.
It’s fast, it’s intuitive, and most importantly, it brings back the fun of sequencing an album that, despite being considered by many as a tedious activity, is indeed a true art form and one of the most emotional aspects of creating a full music experience.
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